Page 46!

Its here! Its here! The article I wrote, "Embellishments As Inspiration", is out in the new Quilting Arts magazine (October/November 2007). Its on pages 46-49 and describes how I use embellishments to design an art quilt.

Its such a thrill to see it in person!!! I'm in really good company with all the other extremely talented artists in this issue. There are lots of really cool articles featuring various forms of embellishments. Among them are Susan Else's article about her three-dimensional quilted figures and Angie Hughes Book Wraps. And I really enjoyed the second installment of Sarah Ann Smith's article about different forms of edges for quilts. There's lots more to see too, its a really interesting issue!! Many thanks to Pokey for this opportunity!

At the end of my article, it mentions a challenge that I issued to five of my art quilt friends to make a small art quilt based on a packet of materials. They were all given the same items: a porcupine quill, a clay face, a string of bells, a playing card, and a key. The could alter these items if they wanted and add other things if they desired.

Below is Leann's quilt, Fortune.

Deb Kolar, Jill Hamilton-Krawczyk, Joan Potter Thomas and Mary Dyer also made pieces. Click here to view them on Quilting Arts' website.

I hope you enjoy the article as much as I enjoyed writing it! :)

Dooley's happy dance

Ah yes, my westhighland terrier has been neglected in terms of attention as of late. I've been working on several projects and while he is a supportive little friend, he sulks when things are all over his floor and I don't give him proper cuddles.

The good news is that I've finished the last of the projects I need for the American Sewing Expo. I've been working on them for so long that it feels like I'm super productive but the truth is that they are just all coming to a close at the same time.

Forgive the less then perfect photography for this post. I'm tired, the camera is tired (I photographed 47 quilts this past weekend for the online gallery of Breaking Traditions), the dog is tired...everyone is just tired.

Below is a picture of Fragile II, which is the quilt I did for Breaking Traditions. Its the second in a series. Yes, I said "series." I want to do a couple more along this line. I really like using the cheesecloth for different texture. Its a 15 x 15 square.


And here is the doll that I completed for the Looking Glass Dolls exhibit, "Exploring Art Dolls." I enjoy doing assemblage style dolls. I sculpt the faces from paperclay but the rest of it is pure chaos. And I love it. I have quite the collection of odds and ends and my friends add to it. You can see the porcelain hand Leann gave me and the transistor her husband Mark gave me. This doll is called "Inside/Out."



When I showed mom the doll when it was done, she said to me "Is this going in a display with real dolls?" I've gotten her used to a lot of other odd styles, apparently we still have some more work to do in the doll department. :)

All of this, including the Peace jacket from the last post, will be properly photographed once my brain recovers from all the chaos of expo and added to my website.

So I think I will go join Dooley in his happy dance. Or maybe I'll just drag him up on the sofa with me and watch some TV. :)

Peace, Love & Understanding

So when someone asks you to make something for a wearable art exhibit and you've never done anything of the sort, what do you say? "No" would the logical answer, but I was lacking that when I answered in the affirmative.

So I spent months stewing over it. I contemplated sewing something from scratch, then came to my senses and decided that I would just alter the heck out of something. A couple of trips to the resale shop and one black jacket later (purchased for the price of a mere $4), I was still no closer then when the idea had been originally proposed.

My problem was lack of theme. I've been preparing to start a new series of art quilts called "The Soapbox" that explore political/social commentary. I have a lot of sketches and tried to apply some to the black jacket I had bought but they didn't translate well. And I hesitated to do something real "in your face" as the venue where it will be displayed is more family friendly. (I believe you should make the art you want to and be as blunt as you feel you need to but I also believe there are some places that are more appropriate to display certain kinds of art then others.) So I took an idea that had been brewing and that I thought would be well received and went to town on this jacket.

Here is what it looked like before I started:



And here is what it looks like now:



And lots of detail shots:








This was a fun one to make. I used shiva paintsticks and did some chunky stitching. I'm really liking the grafitti style and plan to explore that more in some art quilts. I call the jacket "Grafitti Wisdom."

I told my mom that I never thought I would have cause to make artwork like this. My hope is that I won't need to for much longer. After all, we all need a little PEACE, LOVE and UNDERSTANDING.

Balancing Act's Opening Reception

The opening reception was just wonderful! The wonderful people at Lawrence Street Gallery had hors devours and a musician playing a keyboard. There was wine on hand, wonderful ambiance and an amazing display of artwork. The photo above is what greets people as they enter the gallery, with Virginia Spiegel's work front and center introducing the exhibit inside.


Below is the view of the gallery when you first walk in. As you can see, many people were taking their time admiring the work on hand. And who can blame them! The quilts are even more amazing in person. The details and textures demand that you stand and study each piece.


Here is another view of the quilts hanging on the long wall when you first walk in.


The next few photos show the various groupings of quilts. The wonderful artists at Lawrence Street did an outstanding job placing the work. (Thanks Deb and Laura!!!)




Below is a shot of Joan Potter Thomas with her artwork, "The Edge of Spring" series.



And here is Karen Olson with her artwork, "Tablets."



It was a wonderful evening and I was very excited to meet and visit with the artists in the exhibit. Many ventured very long distances to be with us! Thanks Ann and Cheryl! :)

The exhibit is gorgeous and I can't thank everyone enough for all the hard work they have put into it. Special thanks to all the artists for creating such wonderful artwork and sharing it for the exhibit. And a gigantic thank you to the folks at Lawrence Street gallery, especially Deb Hyde and Laura Host, for the opportunity!

Virginia Spiegel is at it again!

For those of you who don't know about the Fiberart for a Cause project, you really need to.

Virginia Spiegel began the project in 2005 as a small fundraiser for the American Cancer Society. It took off in a big way, with people donating fiber postcards from all over the world. These postcards were sold for a $30 donation to the ACS. To date, the project has raised $130,000.

Virginia has brought the postcard project to a close but has decided to implement other activities to help keep the fundraising rolling. She writes an awesome newsletter called Art, Nature, Creativity, Life. It includes her musings about life, a haiku and gorgeous photography.

She is compiling what she considers the best issues (personally I love them all, I don't know how she chose!) into an e-book. The e-book will be released in October and will be available for a minimum donation of $25 to the American Cancer Society. As a subscriber to her newsletter, I strongly recommend picking up the e-book when it comes out. Not only is it sure to be extremely inspirational, it will also benefit a most worthy cause!!

THANKS VIRGINIA for all the hard work you put into raising money for the American Cancer Society!

Technically, it is but...

Some time ago I remember a discussion on one of the email lists I belong to about a vending machine called Artomat. Its a cool concept: artist make little pieces of art, pack them up in boxes and then they get put into a vending machine where people can plop in $5 and walk away with a piece of hand made art. Neat idea...so when I was out today and saw one in a shop in Northville, I thought, "what the heck? let's support these artists." There was one that was labeled finger puppets and I love those quirky little things so I chose that one. This is what I got...


Its the tip of a knit glove that has been cut off and then a button was glued (quite messily) onto it. The artist is Karen Emi Nakashima of Los Angeles, CA. Hmmmmm.....now let me say that I am a big fan of outsider art and I love assemblage so I'm often the one staring with awed fascination at something other people think is just plain weird. Do I think this is worth $5? Ummmm...not so much.

So I looked up their website when I got home and there is a section where you can click on the artist's name and see what kind of art they have put into the vending machines. I would recommend to anyone who thinks they might try out one of these machines to browse through the names so you can get an idea of what they really hold.

I'm not so impressed with the finger puppet I got. I didn't expect to get a picasso for pete's sake but I guess I expected a little more effort then just chopping up a glove and gluing buttons down. Some of the artists have used this small format to generate really unique ideas. (Seriously, take a look through the artists section on the artomat webpage, there's some neat stuff there.) I pretty much feel like I wasted my money but there's not much I can do about it now. Just thought I would pass it along as an FYI to anyone else out there who encounters one of these machines...

A happy skull junkie

Hello, my name is Lynn and I collect skulls. Its an addiction (one that was in place long before it was fashionable) and, happily, I'm not alone. And to demonstrate this claim, go check out the Skull a Day blog. My personal favorite is #77, the sheet skull.

In an effort to avoid having to do anything of substance today, I went to a bead expo. I was extremely pleased to find these new additions for my skull collection.

I should point out that I only collect pleasant/happy looking skulls. The mean biker skulls with flames shooting out of the eye sockets or snakes oozing out of their mouths aren't really my thing. I think the skull collecting came about as a result of my fascination with the Mexican holiday, Dia de los Muertos. Give this girl a dancing skeleton dressed in bright colors and she is happy as a clam.

I'm especially tickled with the strand of skull beads above. I'm not sure what stone they are made out of but the stripes and shallow carving make them pretty subtle. And I love the fact that I got two sizes on one strand.

So what do I do with these guys? Some of the smaller bead ones have made it into artwork but I find that I really like collecting the big ones. Which would probably rock in some box art but for the moment I just want to admire them. I have a spot in my studio that has turned into a skull shrine. My friend Leann feeds my obsession, since she shares it, and makes me skull books and hand carved skull stamps. In fact, my little obsession has become so well known among my friends that people bring me back little skulls they find on their travels. I'm always on the lookout so if you know where I can find some unsual skulls, let me know! :)

You're Invited!!!

I'm happy to report that "Balancing Act", the regional SAQA show that I am co-curating, is finally hung and ready for viewing! The photo above is the cover page of the catalog I created of the show's work and it features the Best In Show piece from Jacque Davis, "Life on Mars." (The catalog will be available for sale shortly on SAQA's website. If you are attending the opening reception on September 7, catalogs will also be availble for purchase then.)

There is an opening reception at the Lawrence Street Gallery on Friday September 7 from 6pm-9pm. And everyone is invited! You can visit their website for their address and directions to where they are located.

The following artists are featured in the show:

Mary Andrews - Grand Blanc, MI
Jacque Davis - Freeburg, IL
Roslyn DeBoer - Orland Park, IL
Deborah Fell - Urbana, IL
Cheryl Dineen Ferrin - Mattawan, MI
Clarian Ferrono - Chicago, IL
Joan Hershey - Bloomington, IN
Anne Hiemstra - Farmington Hills, MI
Jean M. Judd - Cushing, WI
Peg Keeney - Harbor Springs, MI
Debi Kibbee - Ypsilanti, MI
Nancy E. Kimpel - Oconomowoc, WI
Lynn Krawczyk - Plymouth, MI
Ann Loveless - Frankfort, MI
Susan Sanborn North - Troy, MI
Karen Kiley Olson - Ortonville, MI
BJ Parady - Hamilton, IL
Christine Predd - LaPorte, IN
Casey Puetz - Waukesha, WI
Virginia Spiegel - Byron, IL
Joan Potter Thomas - Northville, MI

The following works were awarded honors:

Best in Show - "Life on Mars" by Jacque Davis
First Place Representational - "Trillium" by Ann Loveless
First Place Abstract - "Fault Line II" by Nancy E. Kimpel
Juror's Choice - "Correspondence #9" by Virginia Spiegel
Juror's Choice - "S.O.S." by Christine Predd

The show is a very diverse mix of styles and subject matter. Its really quite amazing! If you are able to come by and see it, you won't be disappointed!

Its all in the details...

Like so many of us, a lot of my work is produced as a result of deadlines. Deadlines for shows I want to enter, deadlines for shows I want to curate, deadlines for guild challenges, deadlines deadlines deadlines.

And I'm not complaining about this. Well, okay, maybe I am a little. I've decided that next year I am going to concentrate on building a body of work and lay off entering shows. I have some interesting prospects for curating that I want to pursue but I need to actually work.

So what prompted my examination of my obsession with deadlines? Well, I got back some work from a show the other day. I had two quilts in PAQA-South's show ARTQUILTSimages. I had sent them out shortly after finishing them and they were on tour with the show for two years. I spent a long time looking at those quilts. And I realized with a start that I think they are pretty good.

That my sound stupid but I tend to go through the whole "My work is poop. I don't know why I make art. Why do I bother?" You know, the whole tortured angsty artist thing that annoyingly gets in the way of making work. Because if you really think about it, it doesn't matter if your work is the best or the greatest, what matters is that you need to make it and do.

So after getting those quilts back and feeling like I was seeing my work with a new eye, I went and started poking around my own website. I just posted a new version and that has lots of extreme close up photos this time. Those close up photos are making me actually see the work rather then just concentrating on finishing and getting it to wherever it needs to be.

I'm realizing that its about the details. Its about stopping and realizing that what you make is a part of you and that it really matters that you just work. Not everything has to be the best thing ever produced.

For me its really important to get emotion into the piece. And when I look at these photos, I feel like I'm seeing things for the first time.

So if you are feeling like I do, like your artwork is speeding by you on its way out into the world, take a photo and really stop and look at it. What you see in that photo is what people see when they look at it for the first time and I think you will be pleasantly surprised.

I take it back...

The quilt above is what I made for Balancing Act (see my last post). Its a little different for me and it makes me nervous and excited all at the same time. And now I have to take back what I said a few posts back about not being able to get into the idea of a series.

I guess the problem was that I hadn't discovered an idea that I was enthralled with enough to carry through a few pieces. My hope is to make five for this series. The one above is called "Fragile."


Here's a detail shot. I really like the cheesecloth and I am a complete Misty Fuse convert. I can hand stitch through it so much easier then I can through Wonder Under. I seem to really struggle with doing machine work. Not in the sense that I can't use the machine but more because I've been doing everything by hand for so long. There's something about it that just seems so much more personal. But my wrist is getting sore easily now and lack of time is a factor so I need to quit being mopey about it and just do it.

Hopefully "Fragile" will have some friends soon. :)

SAQA Balancing Act Exhibit

Here is one of the things that I have been busily working on over the past couple months. Its an exhibit that I am co-curating with Susan Sanborn North for SAQA (Studio Art Quilt Associates). The photo above is the postcard that the gallery created after the jury results were final.

Its called "Balancing Act" and it is a small format art quilt exhibit that will hang at
The Lawrence Street Gallery in Ferndale, MI from August 28-September 28. The opening reception for the exhibit is on Friday September 7 from 6pm-9pm.

There are a total of 41 quilts in the exhibit and its going to be a great one! There is such a wide variety of techniques and styles. I'm working on the catalog for this now and soon the quilts will begin arriving at my house. This is going to be such a treat to be able to see all this work up close and personal!

I'll post more about it after it is hung. I'm hoping to get a couple quick shots with everything up for my own personal use. I have to admit that I really do enjoy curating shows, its just feels so rewarding.

So stay tuned! There is more to come! :)

Emancipet charity quilt

The fiber art group I belong to, Running with Scissors, decided to do a chairty quilt for Emancipet. Johanna's daughter works for them and they are having a chairty auction coming up soon. So the group decided, under the direction of Johanna and Gena, to put together what turned out to be one gigantic quilt! Each member did four blocks, Gena and Johanna assembled the quilt and then it was quilted by a longarm machine quilter.

I have to say that this has turned out beautifully! It will be sent out shortly and then we will just have to wait and see how much money it raises.

On a side note, I've managed to give myself a brainache again. I don't know what my deal is but I'm not sleeping well lately so I'm dragging myself around doing all the work I need to on very little energy. This weekend ought to help me sleep well - I'll be removing wallpaper with a steamer in 90 degree heat. Oh what joy.

I ended up dropping out of the MIQAI, just couldn't get it done in time. I tried my hardest and groveled to Mary about it and although she understands, I still feel like poo about it. I will do better next year!

August and September are filled with exhibit activity for me. I am co-curating an SAQA exhibit with Susan Sanborn North called "Balancing Act." It will hang at the Lawrence Street Gallery in Ferndale, MI beginning at the end of August. (More on that in another post.) Its been a lot of work so far but fun.

Plus the quilts are coming in for the exhibit I hang at the American Sewing Expo, "Breaking Traditions." What I have received so far is stunning and I think this year is going to be fantastic! (More on that in another post too.)

Maybe this is why I have a brainache. Too much stuff going on as usual. Its funny, I always think how nice it will be to just kick back and relax with nothing to do and then when it happens, I'm bored silly. I guess busy is the way to go! :)

And now for some artwork...

I had to put on hold working on this quilt for a little bit but got going on it again today. Its for the Michigan Quilt Artist Invitational and the theme this year is The Art of Music. I knew right away that I wanted to do a quilt about Ani Difranco as she is one my favorite musicians. This is a photo of the quilt just with the fusing done. The side pieces of fabric are actually a rich purple color. (I shot this photo on my design wall so there's no proper lighting or anything.)


I had bought all these fabrics when we went to IQF this past april so they've been waiting around just for this occasion. I decided to do some surface design work on it so here is another photo after I got done doodling.


One of the reasons this quilt has been on hold is because my thermofax machine decided to do an impersonation of a paperweight. So its out for repair and all will be well with that but I had really wanted to screen print some text on her face. So I begged a friend to help out and she got a screen to me pronto (thanks!!!) so I got the surface design done today. Here is a closer look at some of what I did.

I still have to quilt it and I want to do a little of beading on it. But I want to let everything set up overnight and then I will iron it to make sure its all permanent. There is paint and ink and shiva paintsticks on there.

I'm really enjoying this a lot. This quilt has actually got my wheels spinning on starting a series of quilts constructed the same way and with text overlays.

I have a couple other quilts with tight deadlines coming up so I think I will do them in a similar way. Its good to be working again! :)

General frustration...

Surely this will come across as a somewhat whiney post but so be it...

I'm feeling generally overwhelmed lately and its showing in my artwork. Things are left undone, it takes a huge kick in the butt to get moving and its making me frustrated.

I have to start preparing myself for a move next year. A forced move at that. This is the one that is really making me feel unsettled. My job is relocating and that means I'll need to relocate to another city. Not super far away but someplace I probably wouldn't have moved to had this not happened. I've been wanting nothing more then some continuity in my life and just some plain old boring existence for a while. This is yet another major upheaval that I can't control. And its making me frustrated.

My job is running rampant with political back stabbing overtones right now. I'm watching people go into self-preservation mode and, to be honest, its sad to see them do so. They change and make me wonder just how far they will go to make sure that they survive. Who will they be willing to take out in the process? And that makes me frustrated.

My To-do list has turned rabid and I'm not sure how to make it stop growing. Seems like still so much of everything is left to me to take care of. Which leaves little down time, I'm exhausted all the time. And that makes me frustrated too.

I know this is life. I know things move quick but I realized with a shock the other day that I will be 32 soon and I've been at my job for nine years. I don't think I'm old, I'm just blown away that that number has arrived so quickly. The last few years are a blur, so much has happened and I feel like I lost a lot of time. I'm not sure how to make it slow down. All I know is something has to give. I'd like to say that hopefully it won't be my sanity but I think that disappeared long ago... ;-)

More Simpson characters...

Mary came over tonight and I showed her my Simpson character. So we did characters of her and her fiance Mark. But we got silly and did them as kids. We saved them as "Flashback Mary" and "Flashback Mark." They actually look like them, just as little bitty versions.




Mary has a real goofy sense of humor. Evidenced by this photo from her photobucket account. She took this at IQF a couple years ago. Its a drunk gnome.


And the gnome with yoda, both concerned with proper seat belt safety...



Okay, I promise...no more Simpson characters. Although I was trying to make one of Leann. I think she has purple hair now....I might have to go give it another shot.

My Simpson character

I've seen these on a few other blogs and decided to go check it out and see if I could make a character of myself. If you go to the Simpson's movie site, there is a link there called Create Your Simpsons Avatar. Its sooo much fun to do!

The scary thing is that this actually looks a lot like me. The hair color, glasses, face (you can even pick you own nose), and the clothes are all me. I was even thrilled to see that they had a skull for the t-shirt. :)

Go make your own character, its very cool!

Graffiti Art

Me, Mary, Debi and Laura decided that since today was going to be a 98 degree day with a heat index in the 100s, it would be a perfect day to go walk around downtown Ann Arbor. Brilliant, aren't we?

We hit Hollanders and Found and then decided lunch was a good idea. The walk took us past this alley and I felt like I hit the jackpot!

One of the art groups I belong to, The ATC Exchange, is doing its second chunky book swap in August and the theme is graffiti. I decided to bring my camera on our little excursion today in case we came across anything interesting and boy, am I ever glad I did.

There is a very long alley that looks like it had been painted with friendly children storybook type art. Well, let's just say its been added to. And while, yes, its sad that it got defaced, its pretty fascinating at how its grown and taken over one alley, extended back beyond that one to a second and then shot off onto a side alley as well.

There were three glass block windows toward the back that are now sporting their very own unique one-of-a-kind window treatments. Here is one of them.


Here is the alley that goes off to one side. Its really cool and I think I could have spent a couple hours there shooting pictures if I didn't feel like I was about to get heat stroke.


But by far the most interesting portion was this: the gum graffiti wall!



Have you ever wondered what to do with your gum when you get tired of chewing it? No problem, stick it on this wall and it turns into art. It was gross and cool all at the same time. If you click on the gum wall photo, it'll show you the full size and you can appreciate all its gooey grossness in full detail.

I took a couple more pictures and put them up on my Flickr page. I'd like to go back on a cooler day and spend some more time there. So much to see and its really cool to see what people can do with a can of spray paint.

Top Ten Helpful Dyeing Hints

I spent the day today turning this white fabric into this.....



I dye fabric about once a year. Its extremely messy, and I don't have a lot of space to do it in so that's why I don't do it real often. I ended up with 14 yards total and there are only three that I think are ugly so I think I did pretty good.

This time I decided to try the "recepies" from Ann Johnston's Color by Accident book. I don't normally work from a book but there were some things in there that I haven't tried before so I thought, what the heck? Some things I liked, some things will need some help with additional surface design to avoid becoming the backing for a quilt. All in all, it was pretty successful.

And since I spent nine hours today with my hands in water and dye, I bring you my Top Ten Helpful Dyeing Hints:

1. Even if you wear rubber gloves, you WILL get dye on your hands. Get over it, but some Reduran and move on.

2. If you are new to dyeing and love red fabric, choose a new color for your favorite. Or be prepared to spend hours rinsing the same yard of fabric.

3. Black dye can fix everything.

4. Black dye isn't really black. Its blue black or green black or some color you can't identify...

5. Dyeing fabric is not for control freaks. It doesn't matter what it looks like in the book - your's will always look different.

6. A stainless steel sink is essential.

7. Dye and pets with white fur don't mix.

8. A 90 degree day + blacktop driveway + fair skin without sunscreen = stupidity.

9. Dyeing fabric is not a fashion show. Choose clothing you aren't particularly attached to. Aprons don't work.

10. I know there is a #10 in there somewhere but I'm too tired to think of it now...oh be quiet and go dye something.

be worried, hell may have frozen over...

See that there quilt above? I did it. Yup, me. Its pink, its a flower, and its (dare I say?) cute. (And no, I didn't forget to sew it together. Read on...)

Tomme Fent issued a challenge on the Quilt Art list called the Fractured Quilt Challenge. There are 40 of us participating. We all worked from the same photograph, made four blocks from it, send them back to Tomme, and get four back from different artists.

I was very intrigued by this idea so I signed up and then when I saw the photo I thought..."uh-oh, I'm in trouble." For those of you who know me, you understand the title of this post. I don't do pink (I think I'm actually allergic to it), I've never made a flower quilt (ever), and my work tends to lean toward the darker side of life (remember that black is a color too). Still, I liked the idea and thought to myself "Time to try something different."

So I did it. And you know what? The sky didn't fall and I didn't break out in a rash (so I guess I'm not allergic to pink after all). I can kind of appreciate the color now. I don't think I'll use it in a lot of my work but I might be willing to give it a go once in a while.

The shadow was annoying, couldn't figure out what to do for it. Actually ruined one block trying to add it on and had to make a second one. There was much mumbling about that - and not all nice words. I ended up using a dryer sheet. Those things have some awesome transparency to it and the unscented ones are pretty fragrance free. My iron complained about it but hey, it'll live. I think I might use some more of them, I've been wanting to experiment with translucency. These didn't go through the dryer though because I wanted the stiffness.

Since I'm a junky for 3-D stuff on my quilts and the blocks are supposed to reflect our personal style, I did some dimensional work. The center of the flower was fun, its basically purple strips of fabric that have tied and knotted to each other. And I like the row of beads on each petal.

I would have liked to have added more dimension but my style of embellishing really needs to have all three layers(top, batting and back) in place. It can get kind of heavy so these blocks are not suited for that. However, when I get the four pieces back we are free to finish them how we want to. That should be fun!

I really did enjoy this. It took me out of my comfort zone and I learned a couple things while doing it. Can't get better then that!

you just never know

There is a group of us called The Escape Artists that get together for weekend art retreats. We basically just lock ourselves up for the weekend and make stuff. One of the retreats was spent making altered books. I decided to make one that could be used as a journal. It was fun, not something I usually do.

Then I saw a call for entry for a book called 1,000 Artist Journal Pages from the same people that published 1,000 Artist Trading Cards. I figured, why not? I sent a few pictures in.



I got word the other day that three of the pages were accepted. :) The pictures in this post are some details of the pages, one from each page. I'm pretty happy about it, was a fun thing to do and now its being published! Just goes to show you that you never know what your projects will grow up to be.

Gretchen Kramp tiles

Gretchen Kramp is one of my favorite tile artists. I was in Northville last weekend for a SAQA regional meeting and a gallery there called Dancing Eye Gallery carries her tiles. I decided to pop in and see what they had. There were several tiles I hadn't seen before so I had a good time looking at everything.

In the end I chose a 4x4 size tile of a venus fly trap and one of her 2x2 mini tiles that has the evil eye on it.




Her style is somewhat sarcastic and I really like the glazes she uses. I picked up one of her mini tiles a while back and its got a fish tail on it. Eventually I'll have to pick up the mini fish head but I haven't come across it yet.

I love pottery. I considered giving it a shot but its not realistic, my wrist gets sore too easily. I'm not sure how much strength you need for tiles, maybe I could try that one. In the meantime, I'll just admire Gretchen's work and add to my collection one tile at a time. :)

I'll show you mine...

if you absolutely positively promise to never make something that looks even the slightest bit similar in any way, color, shape, material, fabric choice, bead type, embroidery thread, or molecule to it.

Huh?

The discussion has come around again about copyrighting one's work. Mostly due to the lawsuit going on over the Gee's Bends quilts. Now before I go any further, let me say that I agree that they should be suing. The people that have run rampant with their work and not given them their right due should be taken out back and smacked silly. (I'd like to say something harsher but will keep it clean.)

But as always, the conversation over this has spiraled into side discussions about how to avoid having people take advantage of your work/copy your work.

I'm no different, I struggled for a long time about whether or not I wanted to really show my work. Entering juried/traveling exhibits was step one. When I kept getting accepted, I figured a website was an okay idea. So that was step two. So then I started answering calls to be published in books/magazines and got into a few. So completes Step 3. (There are a lot more steps on my List but I'll share those another time.)

But I sit back and I wonder this...how do I know if someone who has seen some of my work in a book/magazine or on my website has made copies and is selling them or giving them away or using them for Fido to sleep on?

Easy answer? I don't.

Would I be pissed if someone was selling copies of my work? Sure. Who wouldn't? But the thing is, it'll never be the same as mine. Never. Ever. Period. More then anything people who copy other people's work disappoint me. Kind of makes me sad that they can't even be bothered to take the time to try to think of something original. I saw a lot of this when I was teaching and it really got to me after a while. And I'm not referring to following a pattern. I like patterns, got a few around the studio. I'm talking about people who copy work that has no pattern published for it.

So do I go and put a copyright on all my work? I guess I could but I'm not going to. Probably because I don't have the energy to. And I think that mostly people like taking a look at my work and then move on. There are a lot of artists out there who are far superior then me and some who aren't. I'm just one in a huge mix.

So I guess I'll keep showing you mine...and hope you enjoy what you see. :)

busy, busy

Even though I haven't been posting much about artwork, I've been working frantically on some new pieces. They aren't done enough to show but during construction, I took this picture. I thought it was pretty neat just by itself and it has given me some new ideas of what I'd like to work on once these projects are done.

I've got three more tight deadlines to meet for July and while I secretly chastise myself that I shouldn't wait until the last minute, the truth of the matter is that this is just how my schedule rolls. There seems to be no getting around it. I work at least ten hours every day at my day job and then come home, try to take a break for an hour or so and then drag myself into my studio. It just doesn't allot me a lot of time.

So I've grown used to working under the gun. I sometimes think it makes me more creative. I've always said that there is nothing more inspirational then a deadline. But then I often wonder if I sell my artwork short and it could grow up to be something better if I had more time to work on it.

But in the end, I think it just matters that I'm working and that its quality. I just wonder what else is lurking in my brain that would work itself out if there were more hours in the day and/or I didn't require sleep.

So tomorrow I plan to bury myself in my studio to finish the last member of this trio I'm working on. Never mind the fact that my poor doggie needs a bath in the worst way (he's a little stinky right now), the weeds are up to my knees (I'm short but still, not good) and there isn't any food in the house. At least my art will get done!

Construction Cone Season

It is officially summer in Michigan. Aside from the lovely 90 degree days with high humidity, the orange cones are out on the road in full force. Its such a blasphemy of my favorite color. Unfortunately, along with their reappearance, the urge to drive like stupid maniacs also comes back for many people.

And so I bring you my personal top-ten-stupid-driver-pet-peeve list:

1) If you are at a red light waiting to make a left turn, don't gun it as soon as the light turns green and cut off oncoming traffic so you don't have to wait.

2) If you are behind someone at a blinking red left turn light, don't honk your horn at them every time you think there is a two inch gap in traffic that you feel the car in front of you might be able to squeeze through.

3) Driving is NOT a multi-tasking activity. This includes talking on the cell phone, putting on makeup, reading a book, folding laundry and eating. You can't do any of these and drive well at the same time so DON'T DO IT!

4) If you need to turn the music up so loud in your car that it vibrates the mirrors in mine, I'm going to be praying that you go deaf soon and put the rest of us out of our misery.

5) When there are signs for a mile that one of the lanes is going to be closed, here's what it doesn't mean: get in the lane that's closing, drive really really fast, cut someone off in the lane that isn't closing and slow traffic to a crawl so that you don't have to wait your turn.

6) Do not tailgate me when I am going the 25mph speed limit in a school zone. I'll only think bad things about you and most likely they'll come out of my mouth as you speed past me and endanger the children walking in the area.

7) If you have a fleeting moment of niceness when I'm walking across the street and decide to let me have the right of way (regardless of the fact that the law says you should), please don't inch the car up as I'm crossing until you are close to hitting me and then speed by with impatience once you are past me.

8) If you are going to take the time to rush to pull out in front of me and cut me off from wherever you are waiting to turn from (ie gas station, fast food restaurant, bank), at least make the effort to go the speed limit once you are there.

9) IF THERE IS CONSTRUCTION GOING ON AND WORKERS PRESENT, SLOW THE &$^&%$^&%$& DOWN!!!

10) If you own an SUV, please remember this when you are crossing a railroad track. The cars are built pretty tough, they can stand driving over them at more then 10mph. After all, SUV does stand for Sport Utility Vehicle.

Okay, I'm done now. Rant over.